"[Beckett] settled on philosophical comedy as the medium for his uniquely anguished, arrogant, self-doubting, scrupulous temperament. In the popular mind his name is associated with the mysterious Godot who may or may not come but for whom we wait anyhow. In this he seemed to define the mood of an age. But his range is wider than that, and his achievement far greater. Beckett was an artist possessed by a vision of life without consolation or dignity or promise of grace, in the face of which our only duty is not to lie to ourselves. It was a vision to which he gave expression in language of a virile strength and intellectual subtlety that marks him as one of the great prose stylists of the twentieth century." J. M. Coetzee, from his Introduction

The Poems, Short Fiction, and Criticism of Samuel Beckett Volume IV of The Grove Centenary Editions
by Beckett, Samuel; Coetzee, J. M.; Auster, Paul-
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Summary
"[Beckett] settled on philosophical comedy as the medium for his uniquely anguished, arrogant, self-doubting, scrupulous temperament. In the popular mind his name is associated with the mysterious Godot who may or may not come but for whom we wait anyhow. In this he seemed to define the mood of an age. But his range is wider than that, and his achievement far greater. Beckett was an artist possessed by a vision of life without consolation or dignity or promise of grace, in the face of which our only duty is not to lie to ourselves. It was a vision to which he gave expression in language of a virile strength and intellectual subtlety that marks him as one of the great prose stylists of the twentieth century." J. M. Coetzee, from his Introduction
Table of Contents
Editor's Note | p. vii |
Introduction | p. ix |
Poems | |
Whoroscope | p. 3 |
Home Olga | p. 8 |
Gnome | p. 9 |
The Vulture | p. 10 |
Enueg I | p. 11 |
Enueg II | p. 14 |
Alba | p. 16 |
Dortmunder | p. 17 |
Sanies I | p. 18 |
Sanies II | p. 20 |
Serena I | p. 22 |
Serena II | p. 25 |
Serena III | p. 27 |
Malacoda | p. 29 |
Da Tagte Es | p. 31 |
Echo's Bones | p. 32 |
Cascando | p. 33 |
Ooftish | p. 35 |
They come... | p. 36 |
Dieppe | p. 37 |
Saint-Lo | p. 38 |
My way is in the sand... | p. 39 |
What would I do... | p. 40 |
I would like... | p. 41 |
Dread nay | p. 42 |
Something There | p. 45 |
Roundelay | p. 47 |
Thither | p. 48 |
Away dream... | p. 49 |
What Is the Word | p. 50 |
Short Fiction | |
Three Early Stories | |
Assumption | p. 57 |
Sedendo et Quiescendo | p. 61 |
A Case in a Thousand | p. 69 |
More Pricks Than Kicks | |
Dante and the Lobster | p. 77 |
Fingal | p. 89 |
Ding-Dong | p. 97 |
A Wet Night | p. 108 |
Love and Lethe | p. 139 |
Walking Out | p. 152 |
What a Misfortune | p. 163 |
The Smeraldina's Billet Doux | p. 194 |
Yellow | p. 199 |
Draff | p. 213 |
Stories, Texts, Novellas | |
First Love | p. 227 |
The Expelled | p. 247 |
The Calmative | p. 261 |
The End | p. 275 |
Texts for Nothing | p. 295 |
From an Abandoned Work | p. 341 |
All Strange Away | p. 349 |
Imagination Dead Imagine | p. 361 |
Enough | p. 365 |
Ping | p. 371 |
Lessness | p. 375 |
The Lost Ones | p. 381 |
Fizzles | p. 401 |
One Evening | p. 421 |
As the story was told | p. 423 |
neither | p. 426 |
Company | p. 427 |
Ill Seen Ill Said | p. 451 |
Worstward Ho | p. 471 |
Stirrings Still | p. 487 |
Criticism | |
Dante...Bruno.Vico..Joyce | p. 495 |
Proust | p. 511 |
Three Dialogues | p. 555 |
Notes | p. 565 |
Table of Contents provided by Ingram. All Rights Reserved. |
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