Postmodernism and Performance

by
Format: Paperback
Pub. Date: 1994-05-01
Publisher(s): Palgrave Macmillan
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Summary

This text is aimed at undergraduates on Drama / Theatre Studies, English and Cultural Studies degrees and at specialist drama bookshops. This book explores ways in which ideas and practices emerging in art, architecture and music have been taken up and developed in recent performance. Setting the notion of a postmodern style against a broader concept of the postmodern work, the study considers various forms of performance art, dance and theatre which define themselves in opposition to self-consciously modernist modes of work. In doing so, the book seeks to describe a position underlying a range of forms which opposes notions of the self-contained, autonomous art-work and may be understood in relation to concepts of the postmodern defined in criticism, philosophy and cultural theory. It aims to offer a broad-ranging understanding of postmodernism in art, architecture, music and performance, before engaging in a detailed consideration of postmodernism and the performance arts. It is a useful guide and reference book to modernism / post-modernism especially for Theatre Studies / Drama degrees.

Table of Contents

General Editor's Preface
Acknowledgements
Introduction: Limiting the Postmodernp. 1
From Postmodern Style to Performancep. 5
Theatricality and the Corruption of the Modernist Workp. 24
Looking Beyond Form: Foreman, Kirby, Wilsonp. 46
Modern Dance and the Modernist Workp. 71
The Collapse of Hierarchies and a Postmodern Dancep. 90
Telling Stories: Narrative Against Itselfp. 118
Conclusion: Postmodernism and Performancep. 144
Notesp. 147
Select Bibliographyp. 163
Indexp. 173
Table of Contents provided by Blackwell. All Rights Reserved.

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