A Power Stronger Than Itself

by
Edition: Reprint
Format: Paperback
Pub. Date: 2009-10-15
Publisher(s): Univ of Chicago Pr
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Summary

Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall,A Power Stronger Than Itselfuncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art. "An important book. . . . Mr. Lewis narrates [the AACM's] development with exacting context and incisive analysis. . . . Because the book includes biographical portraits of so many participating musicians, it's a swift, engrossing read."New York Times "In bringing intellectual breadth and what Lester Bowie calls 'good old country ass-kicking' to bear on past and present indignities, Lewis has produced a fitting companion to the music he celebrates."Nation

Author Biography

George E. Lewis is the Edwin H. Case Professor of American Music at Columbia University. A recipient of a MacArthur Fellowship in 2002, Lewis has made over 120 recordings as composer or performer, and his publications on experimental music appear regularly in scholarly and popular journals.

 

Table of Contents

Preface: The AACM and American Experimentalismp. ix
Acknowledgmentsp. xv
Introduction: An AACM Book: Origins, Antecedents, Objectives, Methodsp. xxiii
Chapter Summariesp. xxxv
Foundations And Prehistoryp. 1
Coming North: From Great Migration to Great Depressionp. 1
Early Musical Experiencesp. 9
Improvisation and Autodidacticism in 1950s Chicagop. 14
The End of an Erap. 27
New Music, New Yorkp. 29
Culutures of Spontaneity: Integrationism and the Two Avant-Gardesp. 29
Beyond a Bebop Boundary: The Challenge of New Musicp. 37
Critical Responses: Anger, Noise, Faillurep. 43
A Far Cry from New York: Segregation and Chicago Musicp. 50
The Development of the Experimental Bandp. 55
Alternative Pedagogies of Experimental Musicp. 55
Eyes on the Sparrow: The First New Chicagoansp. 61
Founding The Collectivep. 85
Urban Decline and the Turn to Communitarianismp. 85
Born on the Kitchen Table: Conceiving the Associationp. 96
Naming Ceremony: Black Power and Black Institutionsp. 105
First Fruitsp. 115
The First Year: Concerts, Critics, and Issuesp. 115
New Arrivals and the University of Chicagop. 125
Travel, Recording, and Intermediap. 141
Memories of the Sun: The AACM and Sun Rap. 156
The AACM Takes Offp. 163
The Black Arts Movement in Chicagop. 163
New Arrivals and New Ideasp. 169
The AACM Schoolp. 175
Performing and Self-Determinationp. 179
Cultural Nationalism in Postmodern Transitionp. 196
Americans in Parisp. 215
Conciving the World Audiencep. 215
Le Nouveau Paris Noir: Collectivity, Competition, and Excitementp. 220
The Politics of Culture: Black Power and May 1968p. 235
Die Emanzipation: The Rise of European Free Improvisationp. 247
Homecomingp. 254
The AACM'S Next Wavep. 259
More from the Midwest: The Black Artists Groupp. 259
New Elbows on the Table: The AACM's Second Wavep. 276
Ten Years After: The Association Comes of AGep. 313
The AACM in New Yorkp. 325
Migration and Invasionp. 325
Europe and the Loftsp. 338
Beyond a Binary: The AACM and the Crisis in Criticismp. 353
Diversity and Its Discontents: New American Music after the Jazz Agep. 370
The New Regime in Chicagop. 389
Generational Shifts in the Collectivep. 389
The Two Cultures and a New Chapterp. 396
Form and Funding: Philanthropy and Black Music in the 1970s Strains, Swirls, and Splitsp. 420
Strains, Swirls, and Splitsp. 420
Into the Third Decadep. 439
The 1980s: Canons and Heterophonyp. 439
Great Black Music: The Local and the Globalp. 449
Leading the Third Wave: The New Women of the AACMp. 459
Transition and Reflectionsp. 481
New York in Transitionp. 481
Chicago in Reflectionp. 485
J'ai deux amoursp. 493
Afterp. 497
The Way of the Arrangerp. 497
The Individualp. 498
The Bookp. 499
Expansion and Sacrificep. 499
Boxing with Traditionp. 504
Regretsp. 505
Survivalp. 507
Contemplating the Post-jazz Continuump. 507
Atmospheresp. 511
Futuresp. 513
List of Interviews Conducted by the Authorp. 515
Selected AACM Recordingsp. 519
Notesp. 525
Bibliographyp. 601
Indexp. 637
Table of Contents provided by Ingram. All Rights Reserved.

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