
A Power Stronger Than Itself
by Lewis, George E.-
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Summary
Author Biography
George E. Lewis is the Edwin H. Case Professor of American Music at Columbia University. A recipient of a MacArthur Fellowship in 2002, Lewis has made over 120 recordings as composer or performer, and his publications on experimental music appear regularly in scholarly and popular journals.
Table of Contents
Preface: The AACM and American Experimentalism | p. ix |
Acknowledgments | p. xv |
Introduction: An AACM Book: Origins, Antecedents, Objectives, Methods | p. xxiii |
Chapter Summaries | p. xxxv |
Foundations And Prehistory | p. 1 |
Coming North: From Great Migration to Great Depression | p. 1 |
Early Musical Experiences | p. 9 |
Improvisation and Autodidacticism in 1950s Chicago | p. 14 |
The End of an Era | p. 27 |
New Music, New York | p. 29 |
Culutures of Spontaneity: Integrationism and the Two Avant-Gardes | p. 29 |
Beyond a Bebop Boundary: The Challenge of New Music | p. 37 |
Critical Responses: Anger, Noise, Faillure | p. 43 |
A Far Cry from New York: Segregation and Chicago Music | p. 50 |
The Development of the Experimental Band | p. 55 |
Alternative Pedagogies of Experimental Music | p. 55 |
Eyes on the Sparrow: The First New Chicagoans | p. 61 |
Founding The Collective | p. 85 |
Urban Decline and the Turn to Communitarianism | p. 85 |
Born on the Kitchen Table: Conceiving the Association | p. 96 |
Naming Ceremony: Black Power and Black Institutions | p. 105 |
First Fruits | p. 115 |
The First Year: Concerts, Critics, and Issues | p. 115 |
New Arrivals and the University of Chicago | p. 125 |
Travel, Recording, and Intermedia | p. 141 |
Memories of the Sun: The AACM and Sun Ra | p. 156 |
The AACM Takes Off | p. 163 |
The Black Arts Movement in Chicago | p. 163 |
New Arrivals and New Ideas | p. 169 |
The AACM School | p. 175 |
Performing and Self-Determination | p. 179 |
Cultural Nationalism in Postmodern Transition | p. 196 |
Americans in Paris | p. 215 |
Conciving the World Audience | p. 215 |
Le Nouveau Paris Noir: Collectivity, Competition, and Excitement | p. 220 |
The Politics of Culture: Black Power and May 1968 | p. 235 |
Die Emanzipation: The Rise of European Free Improvisation | p. 247 |
Homecoming | p. 254 |
The AACM'S Next Wave | p. 259 |
More from the Midwest: The Black Artists Group | p. 259 |
New Elbows on the Table: The AACM's Second Wave | p. 276 |
Ten Years After: The Association Comes of AGe | p. 313 |
The AACM in New York | p. 325 |
Migration and Invasion | p. 325 |
Europe and the Lofts | p. 338 |
Beyond a Binary: The AACM and the Crisis in Criticism | p. 353 |
Diversity and Its Discontents: New American Music after the Jazz Age | p. 370 |
The New Regime in Chicago | p. 389 |
Generational Shifts in the Collective | p. 389 |
The Two Cultures and a New Chapter | p. 396 |
Form and Funding: Philanthropy and Black Music in the 1970s Strains, Swirls, and Splits | p. 420 |
Strains, Swirls, and Splits | p. 420 |
Into the Third Decade | p. 439 |
The 1980s: Canons and Heterophony | p. 439 |
Great Black Music: The Local and the Global | p. 449 |
Leading the Third Wave: The New Women of the AACM | p. 459 |
Transition and Reflections | p. 481 |
New York in Transition | p. 481 |
Chicago in Reflection | p. 485 |
J'ai deux amours | p. 493 |
After | p. 497 |
The Way of the Arranger | p. 497 |
The Individual | p. 498 |
The Book | p. 499 |
Expansion and Sacrifice | p. 499 |
Boxing with Tradition | p. 504 |
Regrets | p. 505 |
Survival | p. 507 |
Contemplating the Post-jazz Continuum | p. 507 |
Atmospheres | p. 511 |
Futures | p. 513 |
List of Interviews Conducted by the Author | p. 515 |
Selected AACM Recordings | p. 519 |
Notes | p. 525 |
Bibliography | p. 601 |
Index | p. 637 |
Table of Contents provided by Ingram. All Rights Reserved. |
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