Preface to Plato

by
Format: Paperback
Pub. Date: 1982-04-15
Publisher(s): Belknap Pr
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Summary

Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Mr. Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought.The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction--Mr. Havelock shows how the Illiad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative.The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science.

Table of Contents

Part One THE IMAGE-THINKERS
Plato on Poetry
3(17)
Mimesis
20(16)
Poetry as Preserved Communication
36(25)
The Homeric Encyclopedia
61(26)
Epic as Record Versus Epic as Narrative
87(10)
Hesiod on Poetry
97(18)
The Oral Sources of the Hellenic Intelligence
115(19)
The Homeric State of Mind
134(11)
The Psychology of the Poetic Performance
145(20)
The Content and Quality of the Poetised Statement
165(32)
Part Two THE NECESSITY OF PLATONISM
Psyche or the Separation of the Knower From the Known
197(18)
The Recognition of the Known as Object
215(19)
Poetry as Opinion
234(20)
The Origin of the Theory of Forms
254(22)
`The Supreme Music is Philosophy'
276

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