| About the Authors |
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xv | |
| Preface |
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xvii | |
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The History of Programming |
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1 | (28) |
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1 | (1) |
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The Early Days of Programming |
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2 | (1) |
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The Beginning of Network Programming: A New Lease for Radio |
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3 | (2) |
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Radio's Golden Age: The Advertising Agency Years |
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3 | (2) |
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The Introduction of Television and Its Effect on Radio |
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5 | (1) |
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Programming Cycles and Trends |
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6 | (1) |
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Radio Redux: The Switch from Shows to Formats |
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6 | (1) |
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Television's Golden Age of Drama |
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6 | (3) |
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Quiz Shows Take Center Stage |
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9 | (2) |
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The Television Networks Take Over Programming |
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11 | (1) |
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The Development of Public Broadcasting |
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12 | (1) |
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The Financial Interest and Domestic Syndication Rule |
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13 | (1) |
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The Rise of Independent Stations and Syndicators |
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14 | (1) |
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14 | (2) |
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16 | (1) |
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New Networks with Targeted and Niche Programming |
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16 | (1) |
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The Quest for a Young Demographic |
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17 | (1) |
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Viewing Patterns and Changing Audience Attention Spans |
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17 | (2) |
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The Decline of Longform Programming |
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19 | (1) |
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Supercharged Programming Choices: The Internet |
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20 | (1) |
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New Media Recording Technologies |
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21 | (1) |
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The Rise of Consumer-supported Media |
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22 | (1) |
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23 | (1) |
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23 | (2) |
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25 | (1) |
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26 | (1) |
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27 | (2) |
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Sources of Television Programming |
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29 | (22) |
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Beyond the Idea---into the ``Deep Pockets'' |
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29 | (1) |
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Major Production Companies |
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30 | (3) |
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Independent Production Companies |
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33 | (5) |
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Foreign Production Sources |
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38 | (1) |
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39 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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43 | (1) |
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44 | (2) |
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46 | (1) |
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Newspapers, Magazines, and Books |
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46 | (2) |
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Managers, Agents, and Stars |
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48 | (2) |
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50 | (1) |
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50 | (1) |
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Sources of Radio and Internet Programming |
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51 | (18) |
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Sources of Programming for Radio |
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51 | (12) |
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Syndicator/Network Programming |
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52 | (1) |
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The Purpose of Today's Radio Networks / Syndicators |
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53 | (1) |
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From Town to City to Metropolis and Syndication |
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54 | (2) |
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Sources of Music Programming |
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56 | (3) |
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Sources of News Programming |
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59 | (1) |
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Sources of Talk Radio Programming |
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59 | (3) |
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Sources of Other Programming |
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62 | (1) |
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Sources of Satellite Radio Programming |
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62 | (1) |
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Sources of Low-Power FM Programming |
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63 | (1) |
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Sources of Internet Programming |
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63 | (4) |
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Every Computer a Potential Source of Programming |
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64 | (1) |
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Obstacles to Internet Mass Usage |
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64 | (1) |
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Traditional Media Sources |
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64 | (2) |
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66 | (1) |
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Private vs. Public Sources of Programming |
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66 | (1) |
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67 | (1) |
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67 | (2) |
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69 | (30) |
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70 | (15) |
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70 | (1) |
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Attaching a Star, Writer, or Showrunner During the Development Process |
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71 | (1) |
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71 | (1) |
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72 | (1) |
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Getting Ready for the Pitch: Creating a Log Line |
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72 | (1) |
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Writing an Effective Log Line |
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73 | (1) |
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74 | (1) |
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75 | (2) |
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``Laying Pipe'' for a Pass |
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77 | (1) |
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77 | (1) |
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Public Television Development |
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78 | (1) |
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78 | (2) |
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80 | (1) |
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81 | (1) |
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82 | (1) |
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83 | (1) |
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83 | (1) |
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84 | (1) |
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85 | (7) |
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85 | (1) |
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Management and Consultants |
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86 | (2) |
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88 | (1) |
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Profit and Other-Than-Profit Motives |
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89 | (1) |
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Satellite Radio Development |
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89 | (2) |
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91 | (1) |
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92 | (5) |
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History of Internet Development |
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92 | (1) |
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Traditional Developers Adapt to the Internet |
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93 | (2) |
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A New Venue for Independent Developers |
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95 | (2) |
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97 | (1) |
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98 | (1) |
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99 | (24) |
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99 | (11) |
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100 | (1) |
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100 | (2) |
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102 | (2) |
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104 | (2) |
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106 | (1) |
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106 | (3) |
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109 | (1) |
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109 | (1) |
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110 | (4) |
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110 | (1) |
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111 | (1) |
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112 | (2) |
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114 | (1) |
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114 | (3) |
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Testing (Or Not) Simulcast Content |
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115 | (1) |
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Testing Archived and Independently Produced Content |
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115 | (1) |
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Testing User Friendliness |
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116 | (1) |
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117 | (3) |
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120 | (1) |
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121 | (2) |
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Elements of Successful Programming |
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123 | (38) |
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123 | (27) |
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124 | (6) |
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The Search for a Successful Formula |
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130 | (2) |
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Industry Professionals Weigh In |
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132 | (2) |
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134 | (16) |
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150 | (5) |
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150 | (1) |
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Fundamental Appeals to an Audience |
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151 | (2) |
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Qualities Tied to Success |
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153 | (2) |
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155 | (4) |
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155 | (1) |
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156 | (1) |
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157 | (1) |
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158 | (1) |
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158 | (1) |
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159 | (1) |
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160 | (1) |
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Influences on Television Programming |
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161 | (28) |
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External Influences on Television |
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161 | (17) |
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162 | (1) |
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163 | (1) |
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The Family Friendly Programming Forum |
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164 | (1) |
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165 | (2) |
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167 | (1) |
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168 | (1) |
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169 | (2) |
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Academic and Nonprofit Studies |
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171 | (1) |
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171 | (7) |
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Internal Influences on Television |
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178 | (8) |
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178 | (1) |
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179 | (1) |
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The Broadcast Standards and Practices Department |
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180 | (4) |
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184 | (1) |
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The Promotion, Marketing and Research Divisions |
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185 | (1) |
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186 | (1) |
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187 | (2) |
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Influences on Radio and Internet Programming |
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189 | (26) |
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Influences on Radio Programming |
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189 | (13) |
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Internal Influences on Radio |
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189 | (4) |
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External Influences on Radio |
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193 | (9) |
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Influences on Internet Programming |
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202 | (10) |
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Internal Influences on Internet Content |
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202 | (3) |
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External Influences on Internet Content |
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205 | (7) |
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212 | (1) |
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213 | (2) |
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Scheduling Strategies for Television |
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215 | (24) |
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215 | (22) |
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Fitting the Show to the Available Audience |
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216 | (1) |
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216 | (2) |
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Launching the Show: The First Strategy |
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218 | (3) |
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221 | (1) |
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221 | (1) |
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222 | (3) |
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225 | (1) |
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226 | (2) |
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228 | (1) |
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229 | (1) |
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230 | (1) |
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231 | (1) |
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232 | (1) |
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Changing a Show's Time Slot |
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232 | (1) |
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233 | (1) |
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Rerunning and Repurposing |
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234 | (1) |
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Boosting the Audience in Sweep Periods |
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235 | (1) |
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236 | (1) |
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237 | (1) |
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238 | (1) |
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Scheduling Strategies for Radio and the Internet |
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239 | (12) |
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Commercial Radio Scheduling |
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239 | (5) |
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239 | (4) |
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243 | (1) |
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244 | (1) |
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Satellite Radio Scheduling |
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244 | (1) |
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245 | (2) |
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247 | (2) |
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249 | (1) |
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249 | (2) |
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251 | (22) |
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251 | (10) |
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252 | (9) |
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261 | (3) |
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262 | (1) |
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263 | (1) |
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264 | (3) |
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Do the Ratings Work and Do Samples Sample? |
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267 | (5) |
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Variables That Affect Rating Accuracy |
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267 | (2) |
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269 | (1) |
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Studies and Investigations |
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269 | (1) |
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270 | (1) |
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How Programmers Should Use Ratings |
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270 | (2) |
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272 | (1) |
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272 | (1) |
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Changing and Canceling Programs |
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273 | (18) |
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273 | (11) |
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273 | (1) |
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274 | (1) |
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275 | (1) |
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276 | (1) |
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276 | (1) |
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277 | (1) |
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277 | (1) |
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278 | (1) |
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Bringing on the Understudy |
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278 | (1) |
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The Desire for Something New |
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278 | (1) |
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279 | (4) |
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Giving a Cancellation Notice |
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283 | (1) |
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284 | (4) |
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Adjusting Program Elements |
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284 | (2) |
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286 | (1) |
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Dealing with Unwanted Changes |
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287 | (1) |
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288 | (2) |
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288 | (1) |
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TMI: Too Much Information |
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289 | (1) |
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289 | (1) |
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290 | (1) |
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290 | (1) |
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291 | (18) |
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291 | (6) |
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292 | (2) |
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Ethics in Programming Decisions and Business Practices |
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294 | (1) |
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295 | (2) |
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297 | (1) |
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298 | (1) |
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Case Histories: Actual Incidents |
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298 | (7) |
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299 | (1) |
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Make the Deal, but Don't Close It |
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300 | (1) |
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An On-Air Murder Confession |
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300 | (1) |
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301 | (1) |
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301 | (1) |
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301 | (1) |
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Anonymous Complaints at E! |
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301 | (1) |
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302 | (1) |
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302 | (1) |
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303 | (1) |
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First Amendment vs. the Sixth Amendment |
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303 | (1) |
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Entertainment Programming Ethics |
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304 | (1) |
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A Series of Ethical Dilemmas |
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305 | (2) |
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307 | (2) |
| Glossary |
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309 | (8) |
| Index |
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317 | |