Shakespeare An Anthology of Criticism and Theory 1945-2000

by
Edition: 1st
Format: Hardcover
Pub. Date: 2004-02-06
Publisher(s): Wiley-Blackwell
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Summary

Shakespeare: Criticism and Theory is an anthology of the most significant essays and book chapters published on Shakespeare in the second half of the twentieth century. An anthology of about 50 of the most significant essays and book chapters published on Shakespeare in the second half of the twentieth century. Introduces students to the variety of theoretical positions, thematic claims, methodologies, and modes of argument in Shakespeare criticism over the last 50 years. Critical views represented range from the old style historicism of E.M.W. Tillyard and the new criticism of William Empson to the new historicism of Stephen Greenblatt and the feminist perspective of Catherine Belsey. Pieces are organised into categories of critical thought and introduced in clear language. Most pieces are reproduced in their entirety.

Author Biography

Russ McDonald is Professor of English at the University of North Carolina at Greensboro. He has written extensively on Shakespeare and early modern literature and culture, most recently in Shakespeare and the Art of Language (2001) and The Bedford Companion to Shakespeare (Second Edition, 2001).

Table of Contents

Preface
Acknowledgments
Authorshipp. 1
Looney and the Oxfordiansp. 4
New Criticismp. 15
The Naked Babe and the Cloak of Manlinessp. 19
"Honest" in Othellop. 35
"Introductory" Chapter About the Tragediesp. 50
The "New Criticism" and King Learp. 63
Dramatic Kindsp. 89
The Argument of Comedyp. 93
Ambivalence: The Dialectic of the Historiesp. 100
The Saturnalian Patternp. 116
The Jacobean Shakespeare: Some Observations on the Construction of the Tragediesp. 125
The 1950s and 1960s: Theme, Character, Structurep. 149
Reflections on the Sentimentalist's Othellop. 152
Form and Formality in Romeo and Julietp. 164
King Lear or Endgamep. 174
The Cheapening of the Stagep. 191
How Not to Murder Caesarp. 209
Reader-Response Criticismp. 221
On the Value of Hamletp. 225
Rabbits, Ducks, and Henry Vp. 245
Textual Criticism and Bibliographyp. 265
The New Textual Criticism of Shakespearep. 269
Revising Shakespearep. 280
Narrative About Printed Shakespeare Texts: "Foul Papers" and "Bad Quartos"p. 296
Psychoanalytic Criticismp. 319
"Anger's my meat": Feeding, Dependency, and Aggression in Coriolanusp. 323
The Avoidance of Love: A Reading of King Learp. 338
To Entrap the Wisest: Sacrificial Ambivalence in The Merchant of Venice and Richard IIIp. 353
What Did the King Know and When Did He Know It? Shakespearean Discourses and Psychoanalysisp. 365
The Turn of the Shrewp. 399
Historicism and New Historicismp. 417
The Cosmic Backgroundp. 422
Invisible Bullets: Renaissance Authority and its Subversion, Henry IV and Henry Vp. 435
The New Historicism in Renaissance Studiesp. 458
"Shaping Fantasies": Figurations of Gender and Power in Elizabethan Culturep. 481
Materialist Criticismp. 511
Shakespeare's Theater: Tradition and Experimentp. 515
King Lear (ca. 1605-1606) and Essentialist Humanismp. 535
Give an Account of Shakespeare and Education, Showing Why You Think They Are Effective and What You Have Appreciated About Them. Support Your Comments with Precise Referencesp. 547
Feminist Criticismp. 565
Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticismp. 570
"I wooed thee with my sword": Shakespeare's Tragic Paradigmsp. 591
The Family in Shakespeare Studies; or Studies in the Family of Shakespeareans; or The Politics of Politicsp. 606
Disrupting Sexual Difference: Meaning and Gender in the Comediesp. 633
Studies in Gender and Sexualityp. 651
"This that you call love": Sexual and Social Tragedy in Othellop. 655
The Performance of Desirep. 669
The Secret Sharerp. 684
The Homoerotics of Shakespearean Comedyp. 704
Performance Criticismp. 727
Shakespeare and the Blackfriars Theatrep. 732
The Critical Revolutionp. 745
William Shakespeare's Romeo + Juliet: Everything's Nice in America?p. 750
Deeper Meanings and Theatrical Technique: The Rhetoric of Performance Criticismp. 762
Postcolonial Shakespearep. 777
Nymphs and Reapers Heavily Vanish: The Discursive Con-texts of The Tempestp. 781
Sexuality and Racial Differencep. 794
Discourse and the Individual: The Case of Colonialism in The Tempestp. 817
Reading Closelyp. 845
Shakespeare's Prosep. 848
Table of Contents provided by Blackwell. All Rights Reserved.

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