Staging the Holocaust: The Shoah in Drama and Performance

by
Edition: 1st
Format: Paperback
Pub. Date: 2006-12-14
Publisher(s): Cambridge University Press
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Summary

'To portray the Holocaust, one has to create a work of art', says Claude Lanzmann, the director of Shoah. However, can the Holocaust be turned into theatre? Is it possible to portray on stage events that, by their monstrosity, defy human comprehension? These are the questions addressed by the playwrights and the scholars featured in this book. Their essays present and analyse plays performed in Israel, America, France, Italy, Poland and, of course, Germany. The style of presentation ranges from docudramas to avant-garde performances, from realistic impersonation of historical figures to provocative and nightmarish spectacles. The book is illustrated with original production photographs and some rare drawings and documents; it also contains an important descriptive bibliography of more than two hundred Holocaust plays.

Table of Contents

List of illustrations
Notes on contributors
Introduction
Holocaust theatre and the problem of justice
The power and limits of the metaphor of survivors' testimony
On the fantastic in Holocaust performances
The Holocaust experience through theatrical profanation
Ben Hecht's pageant-drama: A Flag is Born
Theatrical interpretation of the Shoah: image and counter-image
Inadequate memories: the survivor in plays by Mann
Performing a Holocaust play in Warsaw in 1963
Reality and illusion in the Theresienstadt cabaret
Liliane Atlan's Un Opera pour
History, utopia and the concentration camp in Gatti's early plays
Armand Gatti and the silence of the 1059 days of Auschwitz
Charlotte Delbo: theatre as a means of survival
Primo Levi's stage version of Se questo e un uomo
Heinar Kipphardt's Brother
George Tabori's mourning work in Jubilaum
Thomas Bernhard, Jews, Heldenplatz
Select bibliography of Holocaust plays, 1933-1997
Select bibliography
Index
Table of Contents provided by Publisher. All Rights Reserved.

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