
Staging the Holocaust: The Shoah in Drama and Performance
by Edited by Claude Schumacher-
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Summary
Table of Contents
List of illustrations | |
Notes on contributors | |
Introduction | |
Holocaust theatre and the problem of justice | |
The power and limits of the metaphor of survivors' testimony | |
On the fantastic in Holocaust performances | |
The Holocaust experience through theatrical profanation | |
Ben Hecht's pageant-drama: A Flag is Born | |
Theatrical interpretation of the Shoah: image and counter-image | |
Inadequate memories: the survivor in plays by Mann | |
Performing a Holocaust play in Warsaw in 1963 | |
Reality and illusion in the Theresienstadt cabaret | |
Liliane Atlan's Un Opera pour | |
History, utopia and the concentration camp in Gatti's early plays | |
Armand Gatti and the silence of the 1059 days of Auschwitz | |
Charlotte Delbo: theatre as a means of survival | |
Primo Levi's stage version of Se questo e un uomo | |
Heinar Kipphardt's Brother | |
George Tabori's mourning work in Jubilaum | |
Thomas Bernhard, Jews, Heldenplatz | |
Select bibliography of Holocaust plays, 1933-1997 | |
Select bibliography | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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