Television Field Production and Reporting
by Shook, Fred; Larson, John; Detarsio, John-
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Summary
Table of Contents
| Preface | |
| About the Author | |
| Introduction: Television Is a Language | |
| Telling the Visual Story | |
| Visual Stories Begin with a Clear Focus | |
| The Visual Storyteller Defined | |
| Write the Pictures First | |
| Shoot Sequences | |
| Prove the Storyrsquo;s Focus Visually | |
| The Focus May Change | |
| Look for a Story Focus in Spot-News Events | |
| Identifying the Larger Spot-News Story | |
| Tell Your Story through People | |
| Strong Natural Sound Helps Tell the Story | |
| Build In Surprises | |
| Keep Sound Bites Short | |
| Address the Larger Issue | |
| Make the Report Memorable | |
| News Packages Are Factual ldquo;Mini-Moviesrdquo; | |
| The Lead | |
| Provide Visual Proof for all Main Points | |
| The Close | |
| Be Hard on Yourself as a Writer | |
| Write from the Visuals | |
| The Edit Console Is a Rewrite Machine | |
| Reportorial Editing | |
| A Blueprint for Shooting Spot News | |
| The Visual Grammar of Motion Picture Photography | |
| The Shot | |
| Basic Shots | |
| How Shots Work Together | |
| Camera Movement | |
| Shots That Help Tell the Story | |
| Location Shooting | |
| One Shots to Crowd Shots | |
| Master Shot with Cut-Ins | |
| Multiple-Camera Photography | |
| How to Shoot Matched Action with One Camera | |
| Overlapping Action | |
| Photographing Action Under the Photographerrsquo;s Control | |
| Photographing Action Not Under the Photographerrsquo;s Control | |
| Matched-Action Sequences Can Be Shot in Spot News | |
| Screen Direction | |
| Vary Camera Angles | |
| Angles Provide Psychological Impact | |
| Contrast and Comparison | |
| Composition | |
| Video Editing: The Invisible Art | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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