
Theory and Design in the First Machine Age
by P. Reyner Banham-
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Summary
Table of Contents
Introduction | p. 9 |
Predisposing Causes: Academic and Rationalist Writers, 1900-1914 | |
The Academic tradition and the concept of elementary composition | p. 14 |
Choisy: Rationalism and technique | p. 23 |
The Academic succession: Garnier and Perret | p. 35 |
England: Lethaby and Scott | p. 44 |
Germany: Industry and the Werkbund | p. 68 |
The Factory aesthetic | p. 79 |
Adolf Loos and the problem of ornament | p. 88 |
Italy: Futurist Manifestos and Projects, 1909-1914 | |
Futurism: the Foundation Manifesto | p. 99 |
Futurism: theory and development | p. 106 |
Sant'Elia and Futurist architecture | p. 127 |
Holland: The Legacy of Berlage: De Stijl, 1917-1925 | |
Holland: Berlage and attitudes to Wright | p. 139 |
De Stijl: the Dutch phase | p. 148 |
Expressionism: Amsterdam and Berlin | p. 163 |
De Stijl: the international phase | p. 185 |
Paris: The World of Art and Le Corbusier | |
Architecture and the Cubist tradition | p. 202 |
Progressive building in Paris: 1918-1928 | p. 214 |
Vers une Architecture | p. 220 |
Le Corbusier: town planning and aesthetics | p. 247 |
Germany: Berlin, the Bauhaus, the Victory of the New Style | |
The Berlin School | p. 265 |
The Bauhaus | p. 276 |
Germany: the encyclopaedics | p. 305 |
Conclusion: Functionalism and technology | p. 320 |
Index | p. 331 |
Table of Contents provided by Publisher. All Rights Reserved. |
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