Theory and Design in the First Machine Age

by
Edition: 2nd
Format: Paperback
Pub. Date: 1980-07-25
Publisher(s): Mit Pr
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Summary

First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic of artists and architects working primarily in Europe between 1900 and 1930 under the compulsion of new technological developments in the first machine age.

Table of Contents

Introductionp. 9
Predisposing Causes: Academic and Rationalist Writers, 1900-1914
The Academic tradition and the concept of elementary compositionp. 14
Choisy: Rationalism and techniquep. 23
The Academic succession: Garnier and Perretp. 35
England: Lethaby and Scottp. 44
Germany: Industry and the Werkbundp. 68
The Factory aestheticp. 79
Adolf Loos and the problem of ornamentp. 88
Italy: Futurist Manifestos and Projects, 1909-1914
Futurism: the Foundation Manifestop. 99
Futurism: theory and developmentp. 106
Sant'Elia and Futurist architecturep. 127
Holland: The Legacy of Berlage: De Stijl, 1917-1925
Holland: Berlage and attitudes to Wrightp. 139
De Stijl: the Dutch phasep. 148
Expressionism: Amsterdam and Berlinp. 163
De Stijl: the international phasep. 185
Paris: The World of Art and Le Corbusier
Architecture and the Cubist traditionp. 202
Progressive building in Paris: 1918-1928p. 214
Vers une Architecturep. 220
Le Corbusier: town planning and aestheticsp. 247
Germany: Berlin, the Bauhaus, the Victory of the New Style
The Berlin Schoolp. 265
The Bauhausp. 276
Germany: the encyclopaedicsp. 305
Conclusion: Functionalism and technologyp. 320
Indexp. 331
Table of Contents provided by Publisher. All Rights Reserved.

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