Tradition And Innovation In Late- And Postbyzantine Liturgical Chant
by Wolfram, Gerda-
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Summary
Table of Contents
| General bibliography and abbreviations | |
| Discography and abbreviations | |
| The marginal variants of the Menaia of Carbone : some remarks | p. 1 |
| Die Heirmologia des 14. Jahrhunderts : Eine melodische Sprache zwischen Tradition und Neuentwicklung | p. 13 |
| Adjustments of modality in the postbyzantine Heirmologion | p. 37 |
| Long intonations and kalophonia : traces of stylistic development in late Byzantine Echemata | p. 65 |
| Die melodische Tradition des Psaltikon im Vergleich mit dem kalophonischen Repertoire | p. 79 |
| On the meaning and purpose of the treatise by Manuel Chrysaphes | p. 105 |
| Observations on the transmission of the kalophonic oeuvre of Ioannes (and Georgios) Plousiadenos | p. 129 |
| The stability and continuity of the old tradition in Cretan Psaltic art in the 17th century and generally in the following centuries | p. 159 |
| Tradition and innovation in the person of Petros Bereketes | p. 191 |
| Tradition and innovation in the postbyzantine kalophonic chant : a study based on Petros Bereketes' stanzas [actual symbols not reproducible] | p. 225 |
| Notes on [actual symbols not reproducible], the Akathistos hymn's prooimion | p. 257 |
| Gedanken zur Analyse des Theotoke Parthene von Petros Bereketes | p. 283 |
| The structure of Sunday koinonikon in the postbyzantine era | p. 331 |
| The eleven Heothina in postbyzantine manuscripts of the Austrian National Library | p. 357 |
| Index of composers | p. 367 |
| Indices (of names, technical terms and manuscripts) | p. 371 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
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