Triumph of Anti-Art: Conceptual and Performance Art in the Formation of Post-Modernism

by
Format: Hardcover
Pub. Date: 2005-11-30
Publisher(s): McPherson & Co
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Table of Contents

PREFACE: Publisher's Note 7(2)
PRELUDE: Diogenes of Sinope 9(6)
ORIGINS OF ANTI-ART
1: Kant, Duchamp, and Dada: The Background
15(22)
2: Out of the Ashes: The Twentieth Century as Syllogism
37(16)
3: Yves Klein: Messenger of the Age of Space
53(24)
CONCEPTUAL ART
4: Anti-Art as Cognition
77(28)
5: William Anastasi: Talk About Dumb
105(32)
6: François Morellet: Pythagorean Post-Modernist
137(10)
7: Bernar Venet: From Breakthrough to Cul-de-sac
147(18)
8: John Baldessari: The Mythos of Spring
165(26)
9: Les Levine: Mass Media Campaigns
191(14)
10: Francis Alys: Calling the Unaccountable to Account
205(12)
PERFORMANCE ART
11: Anti-Art as Ethics
217(16)
12: Art in the Dark
233(22)
13: Beuys and Warhol: The Poseur's Mantle
255(18)
14: Marina Abramovic/Ulay Ulay/Marina Abramovic
273(12)
15: James Lee Byars: The Atmosphere of Question
285(16)
16: Brian O'Doherty: An Artist and His Aliases
301(10)
17: Marina Abramovic: Speaking Silences, Carrying Water
311(8)
18: Performance Exemplified
319(16)
Joseph Beuys, Robert Rauschenberg, Hermann Nitsch, Stelarc, Tehching Hsieh/Linda Montano, Fiona Templeton, Pina Bausch, Carolee Schneemann, Marshall Weber
19: The Triumph of Anti-Art?
335(20)
APPENDIX ONE: Origin of the Term Anti-Art' 355(4)
APPENDIX TWO: Zen, Dada, Duchamp, and Cage 359(3)
APPENDIX THREE: The End of Art 362(11)
APPENDIX FOUR: New York or Global? 373(8)
INDEX 381

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