PREFACE: Publisher's Note |
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7 | (2) |
PRELUDE: Diogenes of Sinope |
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9 | (6) |
ORIGINS OF ANTI-ART |
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1: Kant, Duchamp, and Dada: The Background |
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15 | (22) |
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2: Out of the Ashes: The Twentieth Century as Syllogism |
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37 | (16) |
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3: Yves Klein: Messenger of the Age of Space |
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53 | (24) |
CONCEPTUAL ART |
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77 | (28) |
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5: William Anastasi: Talk About Dumb |
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105 | (32) |
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6: François Morellet: Pythagorean Post-Modernist |
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137 | (10) |
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7: Bernar Venet: From Breakthrough to Cul-de-sac |
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147 | (18) |
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8: John Baldessari: The Mythos of Spring |
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165 | (26) |
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9: Les Levine: Mass Media Campaigns |
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191 | (14) |
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10: Francis Alys: Calling the Unaccountable to Account |
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205 | (12) |
PERFORMANCE ART |
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217 | (16) |
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233 | (22) |
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13: Beuys and Warhol: The Poseur's Mantle |
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255 | (18) |
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14: Marina Abramovic/Ulay Ulay/Marina Abramovic |
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273 | (12) |
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15: James Lee Byars: The Atmosphere of Question |
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285 | (16) |
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16: Brian O'Doherty: An Artist and His Aliases |
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301 | (10) |
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17: Marina Abramovic: Speaking Silences, Carrying Water |
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311 | (8) |
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18: Performance Exemplified |
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319 | (16) |
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Joseph Beuys, Robert Rauschenberg, Hermann Nitsch, Stelarc, Tehching Hsieh/Linda Montano, Fiona Templeton, Pina Bausch, Carolee Schneemann, Marshall Weber |
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19: The Triumph of Anti-Art? |
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335 | (20) |
APPENDIX ONE: Origin of the Term Anti-Art' |
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355 | (4) |
APPENDIX TWO: Zen, Dada, Duchamp, and Cage |
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359 | (3) |
APPENDIX THREE: The End of Art |
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362 | (11) |
APPENDIX FOUR: New York or Global? |
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373 | (8) |
INDEX |
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381 | |