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x | (1) |
| Abbreviations |
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xi | (2) |
| Introductions The Conference Consciousness |
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| The Conference and International Symposium: An Overview |
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International Symposium Abstracts of talks by Jean Moorcroft Wilson, Susan Stanford Friedman, Jane Marcus, Sybil Oldfield, Marion Shaw, Julia Briggs, Catherine Sandbach-Dahlstrom, Vera and Ansgar Nunning, Pierre-Eric Villeneuve, Patricia Laurence, Melba Cuddy-Keane and Kay Li |
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1 | (12) |
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Electronic Media and Texts (and additional Techno-Moments of Being) "Tak[ing] our stand openly under the lamps of Piccadilly Circus": Footnoting the Influence of Josephine Butler on Three Guineas |
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The Three Guineas Archive: A Hypertext Edition of Virginia Woolf's Reading Notebooks |
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25 | (2) |
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The Virtual Aleph of Virginia Woolf: Developing Major Authors on CD-ROM: Virginia Woolf |
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27 | (2) |
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Notes on a Vanishing Point |
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29 | (3) |
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Prefiguring the Psychoanalytic Subject Lily's Last Stroke: Painting in Process in Virginia Woolf's To the Lighthouse |
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32 | (7) |
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Mock Biography and Photography Picturing the Truth in Fiction: Re-visionary Biography and the Illustrative Portraits for Orlando |
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39 | (9) |
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Visual Images and Verbal Subtexts Travesties of Excellence: Julia Margaret Cameron, Lytton Strachey, Virginia Woolf, and the Photographic Image |
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48 | (9) |
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Visualizing the Feminine: Fashion, Flowers and Other Fine Arts "Kew will do": Cultivating Fictions of Kew Gardens |
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Alice Staveley Katherine S. Laing |
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Addressing Femininity in the Twenties: Virginia Woolf and Rebecca West on Money, Mirrors and Masquerade |
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66 | (9) |
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"Vogue [...] is going to take up Mrs Woolf; to boom her..." |
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75 | (10) |
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Virginia Woolf and Mysticism "With some irony in her interrogation": Woolf's Ironic Mysticism" |
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"How then does light return to the world after the eclipse of the sun? Miraculously, frailly": A Psychoanalytic Interpretation of Woolf's Mysticism |
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90 | (9) |
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Featured Events: Ethel Smyth and Argento/Woolf recital and Freshwater Introductory Remarks for "A Little Night Music and Drama" |
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99 | (13) |
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Alma Bennett Lucio Ruotolo |
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In Pursuit of Freshwater: An Introduction |
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105 | (7) |
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Woolf and Women Visual Artists Pouring Out Tea and Emptying Chamber Pots: Woolf, Carrington and the Domestic Front |
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112 | (7) |
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Semiotics of Dressing Kicking off her Knickers: Virginia Woolf's Rejection of Clothing as Realistic Detail |
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119 | (6) |
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Woolf and Philosophical Trends Voyage Through the Waves: Woolf's Kaleidoscope of the "Unpresentable" |
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125 | (9) |
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Writing and Texts "Words Fail Me": Virginia Woolf and the Wireless |
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134 | (8) |
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Feminist History and Global Politics Historical Notes on Woolf and the Women's International League |
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142 | (8) |
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Woolf and Toni Morrison Virginia Woolf and Toni Morrison: The Intersection of Discourse Communities in The Waves and The Bluest Eye |
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150 | (8) |
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Music An Unharmonious Trio? Georg Lukacs, Music, and Virginia Woolf's Between the Acts |
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Dame Ethel Smyth: Composing Her Life |
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166 | (7) |
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A Selected Discography of Works by Ethel Smyth (1858-1944) on Compact Disc |
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173 | (2) |
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Issues of Colonialism and Race Teaching Mrs. Dalloway and Praisesong for the Widow as a Pair |
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175 | (8) |
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Virginia Woolf and Men I Vicious Circles: Hegel, Bosanquet and The Voyage Out |
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The Ambivalence of the Outsider: Virginia Woolf and Male Friendship |
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Meredith, Woolf, and the Art of Comedy |
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197 | (9) |
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Featured Event: Writings, Readings, Musings, and Film The Making of The War Within |
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206 | (12) |
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Woolf Enclosed, Woolf in Space Unhousing the Self: Virtual Space in Between the Acts |
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218 | (10) |
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Creative Responses to Woolf's Writings Beyond Therapy: Ramsay's Journey Through Psychoanalysis |
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237 | (6) |
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Virginia Woolf and Fascism On Feminine Subjectivity and Fascist Ideology: The "Sex-War" Between Virginia Woolf and Wyndham Lewis |
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243 | (9) |
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Woolf and Women Writers II Frame, Focus, and Reflection: Virginia Woolf's Legacy to Women Playwrights |
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252 | (8) |
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Science and Wave Structures "The Higgledy-Piggledy" Puzzle: A Fractal Analysis of the Patterns of Patterns in Virginia Woolf's Fiction |
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Nebulous Networks: Woolf's Rethinking of Jeans's Analogy of the Scientist as Artist |
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268 | (9) |
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Screening Animated Visions and Designs: Woolf and Silhouette Films, Sci Fi Robots and Caricatoons Mrs. Dalloway Meets the Robot Maria |
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277 | (6) |
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The Essay Forms and the Writing Process Rambling through A Room of One's Own vs. Marching through I. A. Richards' Practical Criticism: On the Essay as an Anti-Institutional Form |
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283 | (9) |
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Woolf and the Renaissance Virginia Woolf and the Courtier's Art: The Renaissance Wit of A Room of One's Own |
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292 | (10) |
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Cultural Studies--Virginia Woolf and Consumerism The Value of Difference: Economics, Genders, and War in Three Guineas |
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302 | (8) |
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Critics and Criticism Confronting Modernity: Virginia Woolf and Walter Benjamin |
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The Lure of Reductionism in Psychological Treatments of Woolf's Life |
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320 | (7) |
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Virginia Woolf and Drama The Modernist and the Method: Correspondences Between Virginia Woolf and Constantin Stanislavski |
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History as Drama: Towards a Feminist Materialist Historiography |
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335 | (9) |
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Insiders and Outsiders, Inside and Outside in The Waves and Mrs. Dalloway Pink Icing and a Narrow Bed: Mrs. Dalloway and Lesbian History |
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"This difference...this identity...was overcome": Merging Masculine and Feminine in Virginia Woolf's The Waves |
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350 | (8) |
| Notes on Contributors |
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358 | (7) |
| Conference Program |
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365 | |
Other versions by this Author
