| Introduction |
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9 | (5) |
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Learn the rules before you break them |
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14 | (3) |
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Writing is more craft than art |
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17 | (1) |
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Believe in yourself even if no one else does |
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18 | (2) |
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True inspiration must be earned by writing |
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20 | (2) |
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Write to be great, not rich |
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22 | (3) |
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25 | (2) |
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27 | (1) |
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Keep your writing exercises in perspective |
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28 | (2) |
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Be prepared to fight your demons |
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30 | (2) |
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32 | (2) |
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Work in an inspiring environment |
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34 | (2) |
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Think of writing sessions as entertainment |
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36 | (2) |
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Electronic voices destroy inspiration |
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38 | (2) |
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40 | (2) |
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42 | (2) |
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Break away from your labors |
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44 | (2) |
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46 | (2) |
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48 | (2) |
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50 | (2) |
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Think of your first draft as a blue-book essay exam |
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52 | (2) |
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Ignore the length of your first draft |
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54 | (2) |
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Practice mechanical learning |
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56 | (2) |
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Seek the wisdom of others |
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58 | (2) |
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Keep yourself open to serendipity |
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60 | (2) |
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Borrow (and steal) from your favorite writers |
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62 | (2) |
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Always have a notebook and pen on hand |
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64 | (2) |
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Keep a ``read-in-progress'' nearby |
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66 | (2) |
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Create an anthology of your favorite literature |
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68 | (2) |
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70 | (2) |
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72 | (2) |
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74 | (2) |
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76 | (2) |
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Think of writing as a hobby |
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78 | (4) |
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Buy and study a grammar book |
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82 | (2) |
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84 | (2) |
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86 | (2) |
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The ``as'' clause is for amateurs |
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88 | (2) |
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Avoid cliches and stock phrases |
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90 | (2) |
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Trust the precision of your nouns and verbs |
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92 | (2) |
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94 | (2) |
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Be mindful of your diction |
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96 | (2) |
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Avoid repeating words that sound or look similar |
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98 | (2) |
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100 | (2) |
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Collect good titles and practice writing your own |
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102 | (2) |
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104 | (2) |
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For speed in communication, write clearly |
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106 | (2) |
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Accelerate the pace with ``invisible writing'' |
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108 | (2) |
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Vary sentence structure and type |
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110 | (3) |
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Be interesting with every sentence |
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113 | (1) |
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The discipline of poetry will sharpen your sentences |
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114 | (2) |
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Sentences are written like jokes: The punch line is at the end |
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116 | (2) |
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118 | (2) |
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The first duty of the writer is to entertain |
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120 | (2) |
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Tell your story as fast as you can |
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122 | (6) |
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128 | (2) |
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Trust the power of your own voice |
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130 | (2) |
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Command attention immediately |
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132 | (2) |
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Design your opening page for maximum impact |
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134 | (2) |
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Start where the story gets interesting |
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136 | (2) |
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Never save your best for last |
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138 | (2) |
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Master the basics of literature |
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140 | (2) |
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Mix description, narration, exposition, and dialogue |
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142 | (3) |
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For structure, remember the Golden Triangle |
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145 | (1) |
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Use the classical plot outline |
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146 | (2) |
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A more detailed plot outline provides your template |
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148 | (3) |
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Allow the process of discovery to happen naturally |
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151 | (1) |
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152 | (2) |
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Dialogue speeds the process of discovery |
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154 | (2) |
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156 | (2) |
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Use dialogue tags correctly |
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158 | (2) |
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Establish point of view early |
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160 | (2) |
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Keep your characters real |
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162 | (2) |
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Give the opposition quality attention |
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164 | (2) |
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Tell a dream and you risk boring a reader |
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166 | (2) |
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168 | (2) |
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Allow for descriptive passages |
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170 | (2) |
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Practice the elements of description |
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172 | (2) |
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Use images to deliver ideas |
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174 | (2) |
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Avoid commentary; let readers make their own deductions |
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176 | (2) |
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Tell them stories to keep them reading |
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178 | (2) |
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Reveal past events through exposition or flashback |
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180 | (2) |
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182 | (2) |
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184 | (2) |
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Go with God, but write with the devil |
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186 | (2) |
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Resolve all conflicts by the end of the story |
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188 | (2) |
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Writing is the vehicle for truth |
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190 | (2) |
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Maintain the trance of verisimilitude |
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192 | (2) |
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194 | (2) |
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196 | (2) |
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Revise with a critical eye and outside help |
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198 | (2) |
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Art shows up in rewriting |
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200 | (2) |
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Get distance from your work |
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202 | (2) |
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204 | (2) |
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Trust the muse of revision |
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206 | (2) |
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If you can be misread, you will be |
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208 | (2) |
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Ultimately, content matters more than craft |
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210 | (2) |
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212 | (2) |
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214 | (2) |
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Submit a professional manuscript |
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216 | (2) |
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Aspire to reach a universal audience |
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218 | (2) |
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Embrace the wisdom of opposing views |
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220 | (3) |
| Appendix: Evaluation Guide for Your Writing |
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223 | |